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Walerian Borowczyk: CInema of Erotic Dreams (Anglais) Broché – 20 février 2012
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Descriptions du produit
Présentation de l'éditeur
WALERIAN BOROWCZYK by JEREMY MARK ROBINSON Walerian Borowczyk (known as 'Boro') is one of cinema's one-offs. Quite simply, there is no filmmaker quite like Borowczyk. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's films create their own space, with imagery, sounds and music of a really exceptional power. Jeremy Robinson discusses each Borowczyk film in detail, sometimes going through scenes shot by shot. Fully illustrated, with stills from Borowczyk's movies, and from the history of erotica, a bibliography, filmography and notes. 252pp. The text has been updated for this new (2nd) edition. www.crmoon.com EXTRACT FROM THE INTRODUCTION Goto: Island of Love was the first Walerian Borowczyk film that made a big impression on audiences and critics, winning a number of prizes. I first saw Goto: Island of Love in 1982, at Bournemouth Film School, when we watched 16mm prints as part of our film history programme. You could see there was an astonishing vision at work here. I remember above all the creation of a visceral, idiosyncratic and original world. If I had to single out some films, I'd cite Blanche, Immoral Tales, Behind Convent Walls, The Beast and Goto: Island of Love, for their painterly sense, the use of props and costumes, and the incredible attention to detail. Very stylish, mysterious, poetic. Not forgetting the acute awareness of the history of religion and literature. Borowczyk produced some of the most memorable images in European cinema, the equal of Ingmar Bergman, Sergei Paradjanov or Andrei Tarkovsky. I reckon there's one absolute Walerian Borowczyk masterpiece, and that's Goto: Island of Love. That can rank alongside the great films in the history of cinema. I'd put Immoral Tales in the masterpiece class too. The other Borowczyk films are often as fascinating, often more grotesque - certainly more sexually explicit - but probably not as wholly satisfying as Goto: Island of Love - from a conventional critical standpoint. But The Beast, Blanche, Behind Convent Walls, and Love Rites would count as extraordinary films by most standards. They may not be quite up there with Persona (Ingmar Bergman) or 8 1/2 (Federico Fellini), but taken together they form a group of works that mark Borowczyk out as a maverick original. Similarly, Borowczyk isn't a filmmaker celebrated by critics or filmmakers, like Akira Kurosawa, Ingmar Bergman, Orson Welles, Federico Fellini, Jean Renoir or Sergei Eisenstein, and his films don't make critics' top ten lists. For detractors, Borowczyk's films were better when they concerned ideas rather than the senses - philosophy not sex. You probably won't know many other people who've even heard of Walerian Borowczyk, let alone seen one of his films. His reputation as a producer of European arty porny films (art-as-porn films or porn-as-art films) is probably all that many people will have heard of him (movies with sex and nudity do seem to travel well, crossing borders). Needless to say, Borowczyk's films are not shown regularly on television (in Britain at least), even by channels which boast of their open-mindedness and international film broadcasts. I can think of maybe one occasion when Goto: Island of Love was shown in the U.K. in 25 years, but I may be wrong about that. Similarly, you won't see Borowczyk's films at the cinema nowadays, even rep and arthouse and independent cinemas rarely screen his films. It's mainly home video releases (and, later, home DVD releases) that's enabled Borowczyk's films to reach a contemporary audience (the porny and arty elements make them perfect for niche marketing to the cognoscenti). And you'll have to hunt to find them all. You won't find The Beast next to Back To the Future and Bad Boys on the 'B' shelf in your local video store.
Biographie de l'auteur
ON THE AUTHOR: JEREMY MARK ROBINSON Jeremy Robinson has written many critical studies, including Steven Spielberg, Arthur Rimbaud, Jean-Luc Godard, and The Sacred Cinema of Andrei Tarkovsky, plus literary monographs on: J.R.R. Tolkien; Samuel Beckett; Thomas Hardy; André Gide; Robert Graves; and Lawrence Durrell. It's amazing for me to see my work treated with such passion and respect. There is nothing resembling it in the U.S. in relation to my work. Andrea Dworkin (on Andrea Dworkin) This model monograph - it is an exemplary job, and I'm very proud that he has accorded me a couple of mentions… The subject matter of his book is beautifully organised and dead on beam. Lawrence Durrell (on The Light Eternal: A Study of J.M.W. Turner) Jeremy Robinson's poetry is certainly jammed with ideas, and I find it very interesting for that reason. It's certainly a strong imprint of his personality. Colin Wilson Sex-Magic-Poetry-Cornwall is a very rich essay... It is a very good piece… vastly stimulating and insightful. Peter Redgrove AUTHOR’S NOTE: I spent a long time researching and compiling this book. It contains a huge amount of information on the amazing filmmaker Walerian Borowczyk, much of which is very, very hard to find. You have to really dig around to discover valuable information on Boro. The book relates Borowczyk to many other filmmakers and movies, from the European art movie tradition, but also the horror genre, and animation; it analyzes each of Borowcyk’s movie in depth (from the sublime - Goto and Immoral Tales - to the downright terrible - Emmanuelle 5); it assesses the critical reception of Borowczyk, and the current perception of Borowcyk as a director; it contains many illustrations (some of which are rare); it considers Borowczyk's love of erotica (with illustrations); and it contains a useful bibliography and list of sources. Lastly, my book on Walerian Borowczyk is clearly written in an entertaining style, which I hope will encourage the reader to seek out some of Borowczyk's strange, lyrical, hallucinatory and erotic movies. And if you’ve already seen them, I hope my book will offer some fresh insights into Borowcyk.
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Format: Broché Achat vérifié
Borowczyk straddles the line between eurotrash auteurs (Franco, Naschy, Rollin, etc.) and art house (Pasolini and Fellini in particular). In my opinion he never made a "masterpiece", put he pursued a vision that can only be admired, as he certainly had the talent to make more "commercial" films. This book is a good introduction to (most of) his films. It does tell you what is unique about his cinematography. It does analyze the unique female-male relationships which are Boro's hallmark. It does a good job of distinguishing the good from the bad. Yes, it uses words like "sucked". But this filmmaker would be ill-served by a dry academic tone. Extremely readable and recommended.
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