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The Well-Tempered Clavier: Books I and II, Complete par [Bach, Johann Sebastian]
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The Well-Tempered Clavier: Books I and II, Complete Format Kindle


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Longueur : 202 pages Word Wise: Activé Composition améliorée: Activé
Page Flip: Activé Optimisé pour de plus grands écrans Langue : Anglais
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Descriptions du produit

Présentation de l'éditeur

"His art was of an encyclopedic nature, drawing together and surmounting the techniques, the styles, and the general achievements of his own and earlier generations and leading to a new perspective." — Grove's Dictionary of Music and Musicians.
This informed assessment of the genius of Bach's works can be applied with greatest accuracy to The Well-Tempered Clavier. This highly influential work is monumental in the history of Western music. It represents not only the culmination of Bach's own maturation process, but also the galvanization of the emerging style and structure of modern keyboard music.
The grace and fecundity of The Well-Tempered Clavier have thrilled audiences, musicians, and composers for centuries. Mozart, when rapidly advancing to the height of his mastery, had but to read a manuscript copy of The Well-Tempered Clavier and his style developed a new polyphonic richness and depth of harmony. Beethoven studied all the accessible works of Bach profoundly (including The Well-Tempered Clavier) and frequently quoted them in his sketchbooks, often with direct bearing on his own works. Chopin is nowhere more characteristic than when he shows his love of The Well-Tempered Clavier in his Etudes and Preludes. It was Schumann who, in a series of maxims for young musicians, said "Make The Well-Tempered Clavier your daily bread."
This remarkable volume contains all 48 preludes and fugues, from Books I and II, in all major keys, reproduced directly from the authoritative Bach-Gesellschaft edition. The fine engraving is beautiful, clear, and easy to read. These elegant pieces, which vary in difficulty, are available complete in one low-cost, convenient Dover edition.


Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 87921 KB
  • Nombre de pages de l'édition imprimée : 208 pages
  • Editeur : Dover Publications (13 novembre 2012)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B00A44CDH0
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  • Classement des meilleures ventes d'Amazon: n°363.438 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Amazon.com: HASH(0x986a0fcc) étoiles sur 5 62 commentaires
74 internautes sur 74 ont trouvé ce commentaire utile 
HASH(0x983e01bc) étoiles sur 5 Fantastic bargain 15 juin 2002
Par Dr. Christopher Coleman - Publié sur Amazon.com
Format: Broché
Another incredible bargain from Dover. Although I think their edition of the Beethoven complete string quartets (in a single volume!) is probably the best buy in all of music, this edition of The Well Tempered Clavier is a strong competitor. (If only it had included The Art of Fugue!) This is the edition I recommend for my students because of the clarity, absence of artificial or misleading editorial markings, ease of page turns, and cost. It is not perfect; what edition EVER is--in this case, one of my quibbles is that of all the minor key fugues, only ONE (g# minor) ends without a piccardy (raised) third--it simply must be an oversight, and interestingly the accidental already present in the key signature is repeated unnecessarily. Surely B natural should have been B sharp in the final measure. Regardless of the slight problems, this is the single best tool to learn Baroque counterpoint in general and fugue specifically. No textbook I know of is capable of demonstrating the fluidity of form, nor describing the sophistication of melodic and contrapuntal writing that Bach employs. Every book I know of oversimplifies or even avoids the issues that Bach so admirably handles. The answers are here, in the music, not in a text. Absolutely invaluable for the serious music student.
35 internautes sur 35 ont trouvé ce commentaire utile 
HASH(0x983e00c0) étoiles sur 5 Fewer Page Turns 5 février 2001
Par Un client - Publié sur Amazon.com
Format: Broché
This edition is certainly the most inexpensive on the market. True, it is "no frills" Bach--without the help of fingerings and phrasing--but I found the edition very useful. For instance, the Alfred edition takes up six pages for the Fugue in C# Maj, Book I, whereas this Dover edition only takes two. I found this very useful when playing from this edition because page turns are impossible with Bach!!
38 internautes sur 39 ont trouvé ce commentaire utile 
HASH(0x983c1b10) étoiles sur 5 Simple and complete 14 octobre 1999
Par r@home - Publié sur Amazon.com
Format: Broché
No doubt we should be pleased with this edition, stripped clean of editorials, phrasings, and fingerings, it seems very close to the "source," as Bach wrote it without the frills and boxes of an "expert" interpretation. For a basic manuscript, this is the one, complete and clear. It elucidates how much room Bach left us to find ourselves in his music, rather than finding Czerny or Tovey. In this edition, Bach's assurances as a great teacher shine through: solve it yourself, but know that it is all possible.
33 internautes sur 37 ont trouvé ce commentaire utile 
HASH(0x98bbca8c) étoiles sur 5 Bach's WTC ranks only 4-1/2 stars? 18 mai 2002
Par Stephen Malinowski - Publié sur Amazon.com
Format: Broché Achat vérifié
When I saw that The Well-Tempered Clavier had only received four and half stars, I asked myself "if one of the supreme masterworks of one of the greatest composers of all times only gets four and a half stars, what the heck gets five stars?"

I love this music, and I like the Dover edition. It's true, it's not quite as legible as the Henle Urtext edition (what ever is?), but it's as good a version of the score, there are fewer page turns, it contains both books in one volume, and, since it's a fraction of the price of the Henle edition, you can afford to buy two copies, one for writing in, and one for when you want to look at a clean score.

Amazon's current price comes out to less than five cents a page. You can't photocopy it for less!

I've bought several copies over the years, so that I could give them away to people I thought would enjoy them.

No single work of music, by any composer, has brought me as much enjoyment. I'm buying another copy today so that I can have one in my office and one at home.

I'll stop raving now ...
18 internautes sur 19 ont trouvé ce commentaire utile 
HASH(0x983dd114) étoiles sur 5 The price can't be beat 27 juin 2006
Par klavierspiel - Publié sur Amazon.com
Format: Broché
Dover's strategy of reprinting venerable old editions of classical masterworks has been a godsend for musicians everywhere. Many of their reprints are of critical editions that were the best available at the time. Kroll's edition of Bach works for the Bach Gesellschaft, the source of this particular Dover volume, dates from the mid-nineteenth century, but his Well-Tempered Clavier holds up well scholarship-wise. Although the editors of the modern Henle publication had the benefit of being able to access Bach's autograph of Book II, the differences for the most part are not crucial, and the readings in the Dover volume are entirely defensible even today. Having both books of this cornerstone of the keyboard literature together in one easy-to-read volume makes this a bargain hard to pass up for performers, scholars and serious listeners alike.

The one disadvantage for those interested in the many variant readings of these pieces is that only the editor's choice is given. For a comprehensive survey of the former, the Hans Bischoff edition is worth digging up--it has been reprinted both by Kalmus and G. Schirmer.

Incidentally, I feel compelled to respond to some textual comments on the work itself from other reviewers: 1) The minor ending of the G-sharp minor Fugue from Book I is the reading generally accepted as correct; 2) The extra measure found in some editions of the C major Prelude from Book I is spurious, the product of an overzealous editor of the one of the early printed editions of the WTC, Schwenke. Unfortunately Gounod included it in his Ave Maria based on this prelude, which has ensured its continued existence.
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