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le 24 août 2016
Entre ''Le fabuleux destin d'Amélie Poulain'' et Charles Dickens, Martin Scorsese nous offre un Conte de Noel rendant Hommage aux pionniers du 7eme Art. Surjoué et mal doublé, le film m'a davantage ennuyé qu'enchanté...Les incohérences scénaristiques (décès ''factice'' de Georges Meliès à la Guerre, automate retrouvé miraculeusement) sont nombreuses, et il faut sans doute se laisser bercer par la Magie pour y croire...Un spectacle qui plaira aux plus Jeunes, les autres risquant de trouver le Temps long...
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le 6 février 2016
Très bon film à voir en famille ou pas. Mon fils de 5 ans l'a adoré. On y découvre ce grand magicien du cinéma qu'était Méliès.
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le 30 janvier 2016
Habitant Montreuil-sous-Bois depuis une bonne dizaine d'années, je ne suis pas resté insensible à cet hommage bien mérité à Georges Mélies, figure emblématique de Montreuil. Martin Scorsese nous offre en prime quelques passages de ces films du maître des effets spéciaux. A offrir à tous les amoureux du 7 ème art.
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le 13 janvier 2016
La version 3D est très supérieure à la version 2D (vue un soir sur une chaîne TV) Il ne s'agit plus d'une impression de voir une sorte de dessin animé, mais bel et bien d'entrer dans une scène du passé en sépia... C'est le cas de le dire, le film 3D prend vraiment du relief ! La réception s'est faite dans les délais.
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le 9 janvier 2016
Super film qui enchantera les passionnés de cinéma une très belle histoire je le recommande vivement
Bonne qualité du bluray
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le 11 octobre 2015
This is a unique combination of the way the story is told as an interweaving of a fictional protagonist to tell the story of a real life person. I have seen the formula of interweaving reality with a fictional character before; one of the most famous is “Sophie's World” by Jostein Gaarder.

Any way the basic story is of a child that loses his father and thinks that his father left him a message that will change his life. In the process of perusing the message he meets Georges Méliès who may just have a message to change the reader’s life.

The book incorporated a lot of pictures to help tell the story. This is innovative and holds your attention. However it did not translate well into the film as the film was slow and dragged a lot in scenes and even dialog. They lost the continuity and purpose of the story by incorporating the station inspector story that was a minor part of the book. It was too slapstick. What was great graphics in the book translated in almost cartoonish graphics in the film. However they did an excellent presentation of how the original films were designed to show us the stuff that dreams were made of.

The flat screen version was well enough. The 3D graphics were sort of gimmicky sort of looking through a stereoscope; however they were several fields deep.

So we have some unnecessary story added and some slow dragging parts but in the end the feel of the original book shines through.
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le 6 septembre 2015
HUGO [2011] [3D Blu-ray + 2D Blu-ray] [UK Release] A Magical Masterpiece! Unlock The Secret! A Spectacular 3-D Film!

Welcome to a magical world of spectacular adventure! When wily and resourceful Hugo discovers a secret left by his father he unlocks a mystery and embarks on a quest that will transform those around him and lead to a safe and loving place he can call home. Academy Award® winning filmmaker Martin Scorsese invites you to experience a thrilling journey that critics are calling 'the stuff that dreams are made of.' [Peter Travers of ROLLING STONE].

FILM FACT: Awards and Nominations: 84th Academy Awards®: Won: Best Cinematography for Robert Richardson. Won: Best Art Direction for Dante Ferretti and Francesca Lo Schiavo. Won: Best Visual Effects for Robert Legato, Joss Williams, Ben Grossmann and Alex Henning. Won: Best Sound Editing for Philip Stockton and Eugene Gearty. Won: Best Sound Mixing for Tom Fleischman and John Midgley. Nominated: Best Picture for Graham King and Martin Scorsese. Nominated: Best Director for Martin Scorsese. Nominated: Best Adapted Screenplay for John Logan. Nominated: Best Original Score for Howard Shore. Nominated: Best Costume Design for Sandy Powell. Nominated: Best Film Editing for Thelma Schoonmaker. BAFTA® Awards: Won: Best Sound for Philip Stockton, Eugene Gearty, Tom Fleischman and John Midgley. Won: Best Production Design for Dante Ferretti and Francesca Lo Schiavo. Nominated: Best Director for Martin Scorsese. Nominated: Best Cinematography for Robert Richardson. Nominated: Best Original Score for Howard Shore Nominated: Best Editing for Thelma Schoonmaker. Nominated: Best Costume Design for Sandy Powell. Nominated: Best Makeup and Hair for Morag Ross and Jan Archibald.

Cast: Sir Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Sir Christopher Lee, Helen McCrory, Michael Stuhlbarg, Frances de la Tour, Richard Griffiths, Jude Law, Kevin Eldon, Gulliver McGrath, Shaun Aylward, Emil Lager, Angus Barnett, Edmund Kingsley, Max Wrottesley, Marco Aponte, Frederick Warder, Christos Lawton, Tomos James, Ed Sanders, Terence Frisch, Max Cane, Frank Bourke, Stephen Box, Ben Addis, Robert Gill, Eric Moreau (uncredited), Mihai Arsene (uncredited), Lasco Atkins (uncredited), Charlie Clark (uncredited), Graham Curry (uncredited), Lorenzo Harani (uncredited), Kostas Katsikis (uncredited), Helen Kingston (uncredited), Ed Pearce (uncredited), Gino Picciano (uncredited), Gemma Rourke (uncredited), Martin Scorsese (uncredited), Brian Selznick (uncredited) Grégoire Thoby (uncredited)

Director: Martin Scorsese

Producers: Barbara De Fina, Charles Newirth, Christi Dembrowski, David Crockett, Emma Tillinger Koskoff, Georgia Kacandes, Graham King, John Bernard, Johnny Depp, Martin Scorsese and Tim Headington

Screenplay: John Logan and Brian Selznick (book "The Invention of Hugo Cabret")

Composer: Howard Shore

Cinematography: Robert Richardson

Video Resolution: 1080p

Aspect Ratio: 1.85:1

Audio: English: 7.1 DTS-HD Master Audio

Subtitles: English SDH

Running Time: 126 minutes

Region: Region B/2

Number of discs: 1

Studio: Entertainment in Video

Andrew’s Blu-ray Review: "The movies are our special place." So says the pensive, 12-year-old title character in 'HUGO,' and though most of us who go to films blithely share this simple sentiment, director Martin Scorsese brilliantly and perceptively shows us why. His beguiling ode to the magic of cinema and the sense of wonder and community the art form inspires ranks as one of the director's greatest achievements, and that's saying something! Flashy yet subtle, grand yet understated, 'HUGO' brought tears to my eyes, not because of any emotional plot development, but because this heart-warming film celebrates with grace and lyricism the personal connection we all have with film, and the important, intimate role it plays in all of our lives.

No other director could express these ideas more simply and with more potency than Scorsese, who infuses 'HUGO' with an uncharacteristic yet utterly charming warmth and innocence that augments its power and makes it resonate. And no other film encapsulates the essence of Martin Scorsese, who he is and what he does better than 'HUGO,' which ties together the director's passion for motion pictures, spawned from a lonely, challenging childhood, much like Hugo's and his intense commitment to the cause of film preservation. 'HUGO' may start out as a tale of both an orphaned boy searching for a home and a bitter old man at war with the past, but it becomes a story about all of us and how films collectively bond us through dreams. With ceaseless urgency, almost all humans strive to connect with someone or something and it is in our DNA and Martin Scorsese depicts how film often satisfies that innate, burning need, and consequently brings us joy.

Based on the Caldecott Medal winning novel by Brian Selznick, 'HUGO' chronicles the wide-eyed adventures of Hugo Cabret [Asa Butterfield], a young, penniless French boy who lives alone in the clock tower of a Paris train depot after his father dies and his guardian uncle goes off on a bender. Hugo leads a hand-to-mouth existence, swiping croissants and milk from station vendors, and stealing toys from a booth run by an austere elderly man [Sir Ben Kingsley]. Hugo deconstructs the toys and uses some of the parts to repair an automaton that is a primitive robot, that his father, a clockmaker, purchased from a museum and the two worked on together. One day, the toy dealer catches Hugo red-handed and, as punishment, forces him to relinquish his prized notebook that contains diagrams outlining the automaton's mechanisms.

In an attempt to reclaim the notebook, Hugo comes in contact with the toy dealer's goddaughter, Isabelle [Chloë Grace Moretz], and the two embark on a voyage of discovery, each exposing the other to unexplored wonders. Isabelle opens Hugo's eyes to the world of books, while Hugo introduces Isabelle to films. In an odd coincidence, Isabelle, quite literally, holds the key to the automaton, which in turn sheds light on the true avocation of her godfather, Georges Méliès, who they discover was a once-famous filmmaker. Georges Méliès, who's now forgotten, depressed, and impoverished, forms a tenuous bond with Hugo, who tries to help him, while continually evading the clutches of the tyrannical station inspector [Sacha Baron Cohen], who relishes sending stray children to the city orphanage. Though he is adept at fixing things, can Hugo repair the shambles of his own life, and restore the reputation and self-esteem of Georges Méliès, and in so doing, indirectly heal the crippled station inspector, who feels like half a man? It's a tall order, but Hugo, with the films and the automaton on his side, proves he is up to the task.

There's a Dickensian air about the characters of 'HUGO,' especially the plucky urchin who's reminiscent of Oliver Twist that lends the film additional charm. Though many of the minor figures, a flower peddler Lisette [Emily Mortimer], café owner Madame Emile [Frances de la Tour], bumbling patron Monsieur Frick [Richard Griffiths], suspicious bookseller Monsieur Labisse [Sir Christopher Lee], and Hugo's gruff, drunken uncle Claude Cabret [Ray Winstone] only play marginal roles, they're essential cogs in the film's wheel, and Scorsese treats them with respect. And in a further homage to the great films of old, we often witness their actions through Hugo's peering eyes, a sort of homage to Alfred Hitchcock's 'Rear Window.' Martin Scorsese also beautifully incorporates into the story sequences where Hugo himself views on film, such as the comedian Harold Lloyd swinging from the hands of a clock tower, and tips his hat to Georges Méliès, by giving some shots, like the Paris skyline, a fantastical, animated look.

Just as Georges Méliès was an innovator in the early 20th century, Scorsese breaks ground today with his keen use of 3D, bringing what many still regard as a flamboyant, commercial fad into mainstream film making. Never a distraction, and the 3D images in 'HUGO' unfolds naturally as a part of the story, enhancing impact and providing delicate shadings, while the more overt effects salute the showmanship of Georges Méliès by adding a whimsical playfulness to certain scenes. In the film, 'HUGO' it explains it is the essence of magic, and 3D, when employed judiciously, can be a vital aspect of the spell celluloid weaves. Martin Scorsese, in his infinite wisdom, recognizes that, and Georges Méliès would have appreciated his perspective.

And anyone who truly appreciates classic beautiful films and what they do and say, and that is the care with which they're often made, and how they make us feel and make us fall in love with 'HUGO' and that is the reason why it received 11 Academy Awards® nominations and won five OSCARS®. And though, it's a shame Martin Scorsese himself didn't take home a gold statuette, he doesn't need the award to validate this amazing work. As Isabelle says in the film, "Thank you for the film today, it was a gift." And 'HUGO' is Martin Scorsese's gift to those of us who cherish films. With respect, reverence, and a boyish enthusiasm that will never leave him, Martin Scorsese shows us that film was a magical, wondrous entity 100 years ago and it still is today.

Blu-ray Video Quality – Breath-taking is perhaps the best way to describe this reference quality transfer from Entertainment in Video, and this often jaw-dropping beautiful 1080p encoded image effort showcases all those elements to perfection, while transforming the 3D presentation from gimmick to art form in the blink of an eye. The opening shot of the Paris skyline glistens like a newly minted penny, and sets the tone for the entire film. The pristine source material is practically devoid of grain, yet the image never loses its warmth and lushness, even during scenes that heavily rely on CGI effects. Clarity and contrast are exceptional, be sure and catch the reflection of the clock in Sir Ben Kingsley's eye, and colours pop, thanks to marvellously modulated saturation. The bright blue of the station inspector's uniform, the flowers in Lisette's cart and the tinting on Georges Méliès's films and all these possess an intoxicating vibrancy and lushness. Black levels are deep and inky, shadow detail is very good, and flesh tones remain stable and true throughout. The textures of fabrics are easily discernible, as are background details, and though a faint bit of shimmer afflict a couple of patterns, the intricate designs on many costumes stay rock solid. Razor sharp close-ups accent the distinguishable facial features of the varied cast, including the automaton, which looks almost human. The inspired use of 3D, however, sends this film into the stratosphere. Seamlessly integrated into the film and astonishingly well defined, the 3D imagery takes us inside Hugo's world and into the captivating realm of cinema like no other picture I've seen before. And the effects are even more stunning in the home environment than in a theatre. The sense of depth and openness the 3D provides is truly amazing, as Hugo peers through bars, windows, and the through the hands of the clock. Various perspectives are heightened and spatial boundaries blurred, so we feel a part of the action. Details like snow, ash, steam, mist, and fireworks gently dance before us; a swinging pendulum cuts through the screen; the glistening snout of a growling Doberman Pinscher protrudes forward; sheets of paper float before our eyes; and in my favourite dimensional shot, the Station Inspector slowly leans forward, lunging further and further and further and still further into the room, making his intimidating presence not just known, but felt, and making us recoil just a tad in response. Martin Scorsese also adds a hint of 3D to the inspired use of the 3D itself to even greater effect, and sends this film into the stratosphere heights that seamlessly has been integrated into the film and is astonishingly well defined, and the 3D imagery takes us inside Hugo's world and into the captivating realm of cinema like no other film I've seen before. And the effects are even more stunning in the home cinema set-up environment than it was in the cinema. The sense of depth and openness the 3D provides is truly amazing, as Hugo peers through bars, windows, and the through the hands of the clock. Various perspectives are heightened and spatial boundaries blurred, so we feel a part of the action. Details like snow, ash, steam, mist, and fireworks gently dance before us; a swinging pendulum cuts through the screen; the glistening snout of a growling Doberman Pinscher protrudes forward; sheets of paper float before our eyes; and, in my favourite dimensional shot, the Station Inspector slowly leans forward, lunging further and further and further and still further into the room, making his intimidating presence not just known, but felt, and making us recoil just a tad in response. Martin Scorsese also adds some 3D effects to Georges Méliès's 'A Trip to the Moon' to make it even more magical. For someone who has never before waded into 3D waters, Martin Scorsese possesses a surprising mastery of the concept, knowing when to push limits and when to pull back. As much as the form dazzles and thrills me, I still find it hard not to regard 3D as some sort of trick or gimmick, but 'HUGO' comes closer than any other film I've seen to using 3D as an artistic tool rather than a commercial draw. Aside from the aforementioned brief shimmers, no imperfections mar this exceptional transfer. No noise, banding, pixilation, or edge enhancement rears their ugly heads. Not everyone may be enthralled by the story of Hugo Cabret, but it's impossible not to be blown away by this impeccable 3D treatment that's truly a visual feast.

Blu-ray Audio Quality – Along with the reference quality video transfer comes a reference quality 7.1 DTS-HD Master Audio track that's stunning in its clarity, precision, and level of detail. 'Hugo' possesses a rich audio fabric, juggling big moments and delicate nuances, yet all the sound is distinct, perfectly balanced, and awash in superior fidelity and fine tonal depth. From the opening frames, featuring the rhythmic interlocking of mechanical gears exquisitely apportioned among all the room's speakers, it's evident we're in for an aural treat, and the track never backs down over the course of the film. Superior dynamic range handles screeching highs and low rumbles with ease, and nary a hint of distortion creeps into the mix. The surrounds are almost constantly engaged, as bits of detail gently flow from speaker to speaker. The hustle and bustle of the busy train station is especially well rendered, with footsteps, the rustling of clothing, steam, whistles, and rail sounds at once distinct and yet unified. The gears and clicks of the automaton are crisp and lively, and especially the swoosh of flying papers floating about the room, and when the train crashes through the station the cacophony of destruction crashes through the speakers. Stereo separation across the front channels is also excellent, and bass frequencies are potent and perfectly integrated into the track's whole. Howard Shore's gorgeous, Oscar-nominated score boasts exceptional presence and fidelity, caressing small moments and accenting big ones, yet never overwhelming the on-screen action. Dialogue is always well prioritized and easy to understand, and no surface noise or hiss intrude or distract. As I have already informed you that 'HUGO' won Academy Awards® for sound editing and sound mixing, and this superbly clear, active, and immersive track makes it easy to understand why.

Blu-ray Special Features and Extras:

Special Feature Documentary: Shoot The Moon [The Making of HUGO] [2011] [1080p] [20:00] Martin Scorsese, screenwriter John Logan, members of the cast, and other creative personnel examine various aspects of the film's production in this interesting, yet standard, behind-the-scenes documentary. Glowing comments about Martin Scorsese are sprinkled throughout this piece, which covers the original book upon which 'HUGO' was based, casting, sets, working with dogs, and Martin Scorsese's attraction to and philosophy concerning 3D films and photography.

Special Feature Documentary: The Mechanical Man at the Heart of ‘HUGO’ [2011] [1080p] [13:00] The history of automatons, from their Greek and Arab origins up through their golden age at the turn of the 20th century, is explored in this informative documentary. Famous automaton makers are also discussed, and we learn about the design and intricacies of mechanics of the automaton used in 'HUGO.'

Special Feature Documentary: Sacha Baron Cohen: Role of a Lifetime [2011] [1080p] [4:00] This amusing spoof allows the comic actor the chance to display some temperament, as he talks about his disrespect for the script, the children with whom he worked, and most importantly, Martin Scorsese himself.

Special Feature Documentary: The Cinemagician of Georges Méliès [2011] [1080p] [16:00] This fond remembrance of one of film's pioneers and the father of narrative movies covers the artist's life, vision, and contributions to the industry he helped create. The great-great-granddaughter of Georges Méliès adds an intimate perspective, Scorsese talks about which Georges Méliès films he chose to recreate in 'HUGO' and other experts chime in on the innovations of his work.

Special Feature Documentary: Big Effects, Small Scale [2011] [1080p] [6:00] This documentary examines how technicians fashioned the shot of the locomotive crashing through the station façade, an actual event that occurred in Paris in the early 20th Century. Meticulous research, construction, and attention to detail all contributed to the effectiveness of this striking sequence in the film.

Special Feature Preview [1080p] You get a long promotional video of ‘The Artist’ and because it is a silent film, there is of course no voice over advertising the film.

Finally, 'HUGO' will forever stand as my choice for Best Picture of 2011 and as another monumental achievement for director Martin Scorsese. At once an endearing family film and a fabulous 3D experience, 'HUGO' is most importantly a love letter to movies - those who make them and those who watch and revere them and produced by a man who does both. It will move, dazzle, and delight anyone who sees it, especially on 3D Blu-ray. This disc features top-of-the-line 3D video image and reference quality audio surround sound that combine to make 'HUGO' even more thrilling at home than it was in cinema, and a must own 3D Blu-ray disc release. A few more extras would have been nice, but this disc isn't about what's behind the screen; it's about what you view. 'HUGO' is an exceptional film in any format, but if you can, you MUST view it in the stunning 3D, as you won't forget it and the magic images you view will live forever and the opening shot of Paris with the snow falling down, and you will feel it is actually landing on your lounge carpet. I personally think this is the BEST film that Martin Scorsese has directed in a very long time and he is such a passionate person in bringing Georges Méliès to life and especially to bring this silent film director to a new generation in showing that in the days of silent films, you could make spectacular films without CGI computer generating images and that is why I was so honoured and proud to add this brilliant beautiful Martin Scorsese film to especially my 3D Blu-ray Collection. Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Fan
Le Cinema Paradiso
WARE, United Kingdom
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le 2 août 2015
un des plus beaux films que j'ai vus.C'est un enchantement ,plein de tendresse et d'humanité ,et de suspense. Un régal!
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Film époustouflant au cinéma en 3D. Sur petit écran, cela ressemble à un jeu vidéo.
Bon scénario, bien filmé et surtout un bel hommage à Méliès.
La technique visuelle (comme souvent) laisse peu de place à l'interprétation.
A regarder en anglais sous-titré en anglais car c'est bien prononcé, bien sous totré et relativement facile à suivre.
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le 16 juillet 2015
Petit film bien sympathique à découvrir. La 3D est vraiment enthousiasmante et c'est l'un des meilleurs rendus 3D à ce jour.

L'image est pointilleuse, fine et précise, avec une bonne colométrie. Le son est en tous points agréable et immersif.
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